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1.
Out of the mouths of babes and sucklings from the mouths of babes, babes and sucklings comes the fowl, the fowl of the air
2.
Et Nunc 02:50
Et nunc his sumus nonne hic est deus sequi Puer natus est Quae gravidam imitantur outem illum sequi vel filios Deus
3.
Puero 03:01
Et secutus est a puero hoc et secutus est a puero, puero, puero O hic quie duxit nos de nobis Puella puer secutus puero, puero De nobis Puero Et secutus est De nobis Puero Puero O hic quie duxit nos de nobis Et secutus est...
4.
Such as I Am 05:49
Such as he is, let him kiss me, kiss me, with his whole earth, whose name is a hot oil poured out Such as I am, such as I am, let him take away my cloak and find me, such as I am, such as I am And the shadows will flee and leave me such as I am, not one but two, not two but one, a bowl well-rounded, a heap of wheat, the darling of her mother, uncreated, uncreated His eyes be turned on me, uncreated his gladness poured on me, uncreated his earth be roused his earth be roused his earth be roused his earth be roused For like as we are compelled, for like as we are whose name is a hot oil poured out and whose shadows flee when we arrive and whose cloak takes itself away and finds me not one but two, not two but one, such as he is, such as I am
5.
Verbum et verbum et verbum est erat deus est The sea is His, he made it but mine’s mine’s mine’s mine, mine’s mine’s mine... Rend, rend, our mouths shall go, verbum et verbum et verbum est The strength of the hills is His, and the sea is His, he made it Rend, rend, our mouths shall go, Deus est! The sea is His, the hills are His, but mine’s mine our hearts shall go, mine’s mine, Verbum! Mine’s mine’s mine!
6.
Thou art not a god that hath pleasure in art art not a man that hath pleasure in art art not a woman that hath pleasure in art art not a child that hath pleasure in art art not a dog that hath pleasure in art art not a worm that hath pleasure in art Thou art not a tick that hath pleasure in art
7.
Why do the maidens love you? I am the maidens That is why the maidens love you
8.
Vex 05:35
Quod ergo Deus, va caro, oculos eius, super me – Why vex and vex? I dashed against him, I broke his teeth, but could not vex him, nor stop the rushing waters of his voice, which cannot grow weary – I had grown weary – so I fell at his feet as though dead, but could not vex him Why does the leaf rage, and the people imagine a vain thing? Why vex and vex? His delight is to vex and vex So dash against him, break his teeth, you will not vex him, nor stop the rushing waters of his voice, which cannot grow weary – you have grown weary – so fall at his feet as though dead; you will not vex him Why does the leaf rage, and the people imagine a vain thing? Why vex and vex, when his delight is to vex and vex?
9.
You shall never be called tender or standing walls of flesh A house full of tossing
10.
Death Scene 04:50
Culex morsus me en ego morior Si respiciens requisierit me Rrrr-o-ü-eu-wooü-üi Non desset hoc loco – Soror mea fugien dum est quo dam dia mater mea ne cum fuge hinc sororem Hoo-doo, hoo-doo, hoo-doo da-yoo mé, mé, mé-dor Fuge hinc sororem, fuge, fuge, Quo dam dia mater mea me mecum mea Fuge himc sororem, fuge, fuge En ego morior Non des set hoc loco...
11.
Burial Scene 05:22
Between morning and evening we come from the womb and expire a bird of prey catches us we are but ripe dust You shall no longer be called tender you, the womb forgets you We wander abroad for bread between morning and evening Where the land gives bread, we gnaw at the dry ground We therefore commit this seed to the ground Rain will give you a body, though the womb forgets you–
12.
Do Not Mourn 06:34
If a man has a hundred sheep and if one of them goes astray does he not leave the ninety-nine on the mountain, and go in search of the one who went astray? And if he finds it, truly I say to you, he rejoices! He rejoices over it, more than over the ninety-nine who never went astray. (Matthew 18 :12, 18 :13) The tree was to be, O desired Face of the ground, O I am, O, I, I am The musicians at the watering place do not mourn, do not mourn, do not mourn Whe-en they crou-ouch to give birth to – face of the ground, O The tree was to be, O desired I am, O, I, I am Do not mourn! Do not mourn!
13.
Oh-ü, eu-you Oh yae! Ay yaar roo Ae, you – eu yee oo! Ü-yee, ü-yee— Jü deux yae füee roh Su phuh, yee eh, tha-augh, tha-augh, zü, züü-oh— Woom bayeu, woom bayeu, weu heu! Oom ba-ah, oom ba-yay oh— brrrr-rree—heuuh... heuuh... heuuh... Shü, shü, obadi oh Obadi oh—oh...
14.
Mine Eyes 04:12
Mine eyes, conceived, born of mine eyes Crucified, mine eyes Descended, mine eyes Mine eyes, dead and buried, quick and dead and buried mine eyes, with hungry things, buried mine eyes Mine eyes, dead and buried, arise and go, mine eyes! Eyes upon eyes upon eyes, arise and go, mine eyes Scatter! Mine eyes... Two she-bears came out of the woods, warned in a dream not to go back— The star went ahead of them, stopped over the market place— Two she-bears came out of the woods, warned in a dream not to go back— Where young boys lay with lions— Two she-bears came out of the woods, warned in a dream not to go back— Feeling the lust of the ground— Two she-bears came out of the woods, warned in a dream not to go back— And I say, and I say— Two she-bears came out of the woods— Scatter— Warned in a dream not to go back— make light mine eyes— Two she-bears came out of the woods— Defend us— warned in a dream not to go back— Defend us!
15.
À Bâ 01:40
E schna biorati, a bâ Mioh stey diou cood yaarrr, borati Mmmm gyou mee kehd yaeh, a bâ E schna miorati steyd yae Esna do, esna lah Mm bikileh mm bikilah mi sna sna Mia bahm g-g-ga mikila la Esna bikila borati a bâ, geuh, geuh
16.
Out of the mouths of babes and sucklings From the mouths of babes Babes and sucklings comes the fowl— the fowl of the air
17.
The godly man flitteth past Flit, flit, godly man! Flit, flit, godly man! Flit, flit godly man – Beast!

credits

released October 30, 2020

Rachel Burman, composition, texts, cello, vocals
Marie-Annick Béliveau, mezzo-soprano
Anne Julien, mezzo-soprano
Janet Warrington, soprano
André Pappathomas, invented stringed instruments

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Rachel Burman Montreal, Québec

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